Contemporary Voices & Cultural Legacies

HOME »  | English | Español


Contemporary Voices and Cultural Legacies highlights films, projects, and collaborations that explore the movement of people, ideas, and traditions between Mexico and the United States. These works engage with the lived experiences of migration—geographical, cultural, and spiritual—revealing how artists, musicians, and educators have transformed border crossings into acts of creativity and empowerment. Through narratives of labor, activism, and cultural pride, they illuminate the ongoing dialogue between Mesoamerican heritage and contemporary life in the Americas.

We celebrate cultural legacies that build on earlier collaborations among Mexican, Mexican American, and other scholars over the forty-five years of the Archive’s work making Mesoamerican cultural traditions accessible through scholarship, publishing, and public engagement.


Mexican American and Chicano History

We pay tribute to longtime MMARP collaborator José B. Cuéllar, also known as Dr. Loco, a musician, educator, and cultural anthropologist whose work bridged Indigenous traditions, Chicano culture, contemporary performance, and community-based knowledge transmission. For decades, his creative and pedagogical practice centered sound as a living archive—one that carried memory, identity, revitalization, and continuity across generations.

Cuellar edit
José Cuéllar. Templo Mayor Museum, Mexico City. 1989. Photo by Lawrence Desmond.

As a scholar, Cuéllar’s collaborations with MMARP were significant and reflected his commitment to centering contemporary voices alongside historical research. His work activated Mesoamerican heritage and Chicano history not as a static past, but as a living cultural system expressed through teaching, music, performance, and public engagement.

Through projects that integrated ancestral sound traditions with present-day contexts, Cuéllar challenged conventional boundaries between archive, performance, and community. His contributions embodied a dynamic synthesis of knowledge, oral tradition, and artistic practice as essential forms of scholarship.

This feature highlights selected aspects of Cuéllar’s work, including collaborative projects with the Peabody Museum and MMARP, media documentation, and reflections on the role of sound—including ancient ocarinas and whistles—in sustaining cultural memory. These digital materials within the archive demonstrate how one contemporary practitioner, José Cuéllar, helped shape, reinterpret, and transmit Mesoamerican cultural legacies for future generations.


José Cuéllar and the MMARP Community: Collaboration and Friendship

Matos Mocteuma Jose Cuellar and David Carrasco
José Cuéllar, Eduardo Matos, and Davíd Carrasco. Hale Science Building, University of Colorado-Boulder. 1988. Photo by Lawrence Desmond.

Dr. Cuéllar was part of the intellectual and cultural community that developed around the Moses Mesoamerican Archive and Research Project (MMARP) from its early years. His relationship with Professor Davíd Carrasco began during the formative period of the project, when Carrasco was working closely with archaeologist Eduardo Matos Moctezuma and other scholars whose research on Mesoamerican civilizations helped shape the interdisciplinary vision of MMARP.

Carrasco and Cuellar smiling
José Cuéllar and Davíd Carrasco. Hale Science Building, University of Colorado-Boulder. 1988. Photo by Lawrence Desmond.

Cuéllar’s intellectual interests were shaped early in his career through his work and studies in anthropology in California, where he became interested in tracing the historical and cultural  continuities of Mesoamerican peoples, including migration patterns and cultural connections between Mesoamerican civilizations and Indigenous peoples of the southwestern United States. This interest in cultural continuity, migration, identity, and cultural memory remained central to his work throughout his life. These shared interests in Mesoamerican traditions and contemporary cultural expression formed a natural intellectual connection between Cuéllar and Carrasco and contributed to their long collaboration and friendship. 

Over time, his collaboration and friendship with Carrasco became part of the broader network of scholars, artists, photographers, and cultural figures who have contributed to the life of MMARP over many years. Cuéllar remained an important presence in the extended MMARP community, and his legacy continues to be part of the ongoing cultural and intellectual history of the project.

José Cuéllar: Ocarinas through Time and Sound

Dr. Cuéllar researched clay ocarinas, whistles, and flutes from Mexico and Central America, studying their acoustics and cultural contexts and bringing them to life through sound performance. His work invited audiences to imagine the soundscapes of ancient Mesoamerican ritual and everyday life.

Ocarina Costa Rica

Animal effigy ocarina, Costa Rica, PM# 976-59-20/24969. Photo courtesy President and Fellows of Harvard College, Peabody Museum of Archaeology and Ethnology

Top banner image: José “Dr. Loco” Cuéllar playing an ocarina. Video still from “Breathing Life into an Ancient Instrument”, Peabody Museum of Archaeology & Ethnology, Harvard University. Courtesy of the Peabody Museum.

Sign up to receive updates, news, and other events from your MMARP colleagues.